One of two photos of Miles Davis shot at his home in New York City in 1996. Excerpt from the photographer, Anthony Barboza: The first time I shot and met Miles, I was hired by Essence Magazine in 1971. Through the years i did other magazine shootings of him, plus the album cover. In 1984, I directed two 30 second spots for a TV commercial for Van liquor out of Japan. Then the last time I photographed Miles, I was hired by Essence Magazine in 1986. I worked in numerous ways with my friend, even buying him some hats I had found in the Village (in lower Manhattan) that he liked when he saw me wearing them. Since also being a painter, he asked me if I could stretch some canvases for his paintings. He was a dear friend and a very special person to me. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 650.00
One of two photos of Miles Davis shot at his home in New York City in 1996. Excerpt from the photographer, Anthony Barboza: The first time I shot and met Miles, I was hired by Essence Magazine in 1971. Through the years i did other magazine shootings of him, plus the album cover. In 1984, I directed two 30 second spots for a TV commercial for Van liquor out of Japan. Then the last time I photographed Miles, I was hired by Essence Magazine in 1986. I worked in numerous ways with my friend, even buying him some hats I had found in the Village (in lower Manhattan) that he liked when he saw me wearing them. Since also being a painter, he asked me if I could stretch some canvases for his paintings. He was a dear friend and a very special person to me. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 800.00
One of two photos of Miles Davis shot at his home in New York City in 1996. Excerpt from the photographer, Anthony Barboza: The first time I shot and met Miles, I was hired by Essence Magazine in 1971. Through the years i did other magazine shootings of him, plus the album cover. In 1984, I directed two 30 second spots for a TV commercial for Van liquor out of Japan. Then the last time I photographed Miles, I was hired by Essence Magazine in 1986. I worked in numerous ways with my friend, even buying him some hats I had found in the Village (in lower Manhattan) that he liked when he saw me wearing them. Since also being a painter, he asked me if I could stretch some canvases for his paintings. He was a dear friend and a very special person to me. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 900.00
One of two photos of Miles Davis shot at his home in New York City in 1996. Excerpt from the photographer, Anthony Barboza: The first time I shot and met Miles, I was hired by Essence Magazine in 1971. Through the years i did other magazine shootings of him, plus the album cover. In 1984, I directed two 30 second spots for a TV commercial for Van liquor out of Japan. Then the last time I photographed Miles, I was hired by Essence Magazine in 1986. I worked in numerous ways with my friend, even buying him some hats I had found in the Village (in lower Manhattan) that he liked when he saw me wearing them. Since also being a painter, he asked me if I could stretch some canvases for his paintings. He was a dear friend and a very special person to me. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 1080.00
One of two photos of Miles Davis shot at his home in New York City in 1996. Excerpt from the photographer, Anthony Barboza: The first time I shot and met Miles, I was hired by Essence Magazine in 1971. Through the years i did other magazine shootings of him, plus the album cover. In 1984, I directed two 30 second spots for a TV commercial for Van liquor out of Japan. Then the last time I photographed Miles, I was hired by Essence Magazine in 1986. I worked in numerous ways with my friend, even buying him some hats I had found in the Village (in lower Manhattan) that he liked when he saw me wearing them. Since also being a painter, he asked me if I could stretch some canvases for his paintings. He was a dear friend and a very special person to me. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 650.00
One of two photos of Miles Davis shot at his home in New York City in 1996. Excerpt from the photographer, Anthony Barboza: The first time I shot and met Miles, I was hired by Essence Magazine in 1971. Through the years i did other magazine shootings of him, plus the album cover. In 1984, I directed two 30 second spots for a TV commercial for Van liquor out of Japan. Then the last time I photographed Miles, I was hired by Essence Magazine in 1986. I worked in numerous ways with my friend, even buying him some hats I had found in the Village (in lower Manhattan) that he liked when he saw me wearing them. Since also being a painter, he asked me if I could stretch some canvases for his paintings. He was a dear friend and a very special person to me. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 800.00
One of two photos of Miles Davis shot at his home in New York City in 1996. Excerpt from the photographer, Anthony Barboza: The first time I shot and met Miles, I was hired by Essence Magazine in 1971. Through the years i did other magazine shootings of him, plus the album cover. In 1984, I directed two 30 second spots for a TV commercial for Van liquor out of Japan. Then the last time I photographed Miles, I was hired by Essence Magazine in 1986. I worked in numerous ways with my friend, even buying him some hats I had found in the Village (in lower Manhattan) that he liked when he saw me wearing them. Since also being a painter, he asked me if I could stretch some canvases for his paintings. He was a dear friend and a very special person to me. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 900.00
One of two photos of Miles Davis shot at his home in New York City in 1996. Excerpt from the photographer, Anthony Barboza: The first time I shot and met Miles, I was hired by Essence Magazine in 1971. Through the years i did other magazine shootings of him, plus the album cover. In 1984, I directed two 30 second spots for a TV commercial for Van liquor out of Japan. Then the last time I photographed Miles, I was hired by Essence Magazine in 1986. I worked in numerous ways with my friend, even buying him some hats I had found in the Village (in lower Manhattan) that he liked when he saw me wearing them. Since also being a painter, he asked me if I could stretch some canvases for his paintings. He was a dear friend and a very special person to me. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 1080.00
Black and White photo of Miles Davis from album cover session for Columbia records You're Under Arrest from 1984. Excerpt from the photographer, Anthony Barboza: Being a friend of Miles from 1971 till his death. We became very close friends. One day he asked me to work with him on the album cover we collaborated on the idea with no art director from Columbia Records present. He said they had to use whatever we turned in. It was really fun just the two of us working all day on our ideas with out any outside interference. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 650.00
Black and White photo of Miles Davis from album cover session for Columbia records You're Under Arrest from 1984. Excerpt from the photographer, Anthony Barboza: Being a friend of Miles from 1971 till his death. We became very close friends. One day he asked me to work with him on the album cover we collaborated on the idea with no art director from Columbia Records present. He said they had to use whatever we turned in. It was really fun just the two of us working all day on our ideas with out any outside interference. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 800.00
Black and White photo of Miles Davis from album cover session for Columbia records You're Under Arrest from 1984. Excerpt from the photographer, Anthony Barboza: Being a friend of Miles from 1971 till his death. We became very close friends. One day he asked me to work with him on the album cover we collaborated on the idea with no art director from Columbia Records present. He said they had to use whatever we turned in. It was really fun just the two of us working all day on our ideas with out any outside interference. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 900.00
Black and White photo of Miles Davis from album cover session for Columbia records You're Under Arrest from 1984. Excerpt from the photographer, Anthony Barboza: Being a friend of Miles from 1971 till his death. We became very close friends. One day he asked me to work with him on the album cover we collaborated on the idea with no art director from Columbia Records present. He said they had to use whatever we turned in. It was really fun just the two of us working all day on our ideas with out any outside interference. Photo by Anthony Barboza / Kamoinge. This photograph is signed by the photographer and comes with a certificate of authenticity from Kamoinge, an African-American photographers' organization that formed in 1963 to address the under-representation of black photographers in the art world. Kamoinge is a Kikuyu word in East Africa that means a group of people working together. Today, Kamoinge's membership is comprised of 24 accomplished photographers, each of whom brings a unique style and vision to his/her images. The New York Times Store is offering Kamoinge's collective work to the public for the first time. Individually created, this fine-art print has an enduring quality that meets the highest exhibition standards.
Price: 1080.00
Professor Albert Einstein, 1953 Photo by Patrick Burns / The New York Times Photo Archives Each exhibition-quality print meets the highest photographic standards and is individually created with the finest ink and fiber-based archival paper. Give someone a unique gift that will last a lifetime or decorate your home and office with distinctive photography from The New York Times Store.
Price: 529.00
Professor Albert Einstein, 1953 Photo by Patrick Burns / The New York Times Photo Archives Each exhibition-quality print meets the highest photographic standards and is individually created with the finest ink and fiber-based archival paper. Give someone a unique gift that will last a lifetime or decorate your home and office with distinctive photography from The New York Times Store.
Price: 799.00
Professor Albert Einstein, 1953 Photo by Patrick Burns / The New York Times Photo Archives Each exhibition-quality print meets the highest photographic standards and is individually created with the finest ink and fiber-based archival paper. Give someone a unique gift that will last a lifetime or decorate your home and office with distinctive photography from The New York Times Store.
Price: 379.00
Professor Albert Einstein, 1953 Photo by Patrick Burns / The New York Times Photo Archives Each exhibition-quality print meets the highest photographic standards and is individually created with the finest ink and fiber-based archival paper. Give someone a unique gift that will last a lifetime or decorate your home and office with distinctive photography from The New York Times Store.
Price: 389.00
Professor Albert Einstein, 1953 Photo by Patrick Burns / The New York Times Photo Archives Each exhibition-quality print meets the highest photographic standards and is individually created with the finest ink and fiber-based archival paper. Give someone a unique gift that will last a lifetime or decorate your home and office with distinctive photography from The New York Times Store.
Price: 599.00
Jackie Robinson of the Brooklyn Dodgers races from third base and slides home ahead of Yogi Berra's tag in an electrifying moment in the opening game of the 1955 World Series at Yankee Stadium, Sept. 28, 1955. This series of five dramatic images comes in a black wood frame, 17 x 37, ready to hang. Not available unframed. Photos by Mark Kauffman/Sports Illustrated. This series of exhibition-quality prints meets the highest photographic standards and is individually created with the finest ink and fiber-based archival paper.
Price: 1045.00
Hotel Astor in Times Square, circa 1945. Photo from The New York Times Photo Archives Each exhibition-quality print meets the highest photographic standards and is individually created with the finest ink and fiber-based archival paper. Give someone a unique gift that will last a lifetime or decorate your home and office with distinctive photography from The New York Times Store.
Price: 199.00
Senator Barack Obama speaking at a rally in Denver, Aug. 28, 2008. Photo by Ozier Muhammad / The New York Times Photo Archives This is one of several full-color Times photographs on the president-elect. Each photo is available signed by the photographer for an additional $300. Each exhibition-quality print meets the highest photographic standards and is individually created with the finest ink and fiber-based archival paper.
Price: 199.00
