Native American chiefs on the prairies of Montana Photo by Edward S. Curtis / Christopher Cardozo Fine Art Edward S. Curtis (1868-1952) is the world's best-known photographers of Native Americans. He devoted 30 years during the beginning of the 20th century to documenting the customs and lifestyle of more than 80 Native American tribes. The images in the Curtis Collection are created using a very high-resolution scan from an original Curtis photogravure. Prior to scanning, each vintage photogravure is professionally conserved to restore the print to its original appearance and fidelity. Using pigment-based inks, to ensure archival stability, the image is printed onto a mould-made, fiber-based, acid-free watercolor paper specially produced in Germany by Hahnemhle Fine Art. This process ensures that each image is faithfully created to the original intent of Edward S. Curtis. Also available as an accessories box for $74.95.
Price: 399.00
Native American chiefs on the prairies of Montana Photo by Edward S. Curtis / Christopher Cardozo Fine Art Edward S. Curtis (1868-1952) is the world's best-known photographers of Native Americans. He devoted 30 years during the beginning of the 20th century to documenting the customs and lifestyle of more than 80 Native American tribes. The images in the Curtis Collection are created using a very high-resolution scan from an original Curtis photogravure. Prior to scanning, each vintage photogravure is professionally conserved to restore the print to its original appearance and fidelity. Using pigment-based inks, to ensure archival stability, the image is printed onto a mould-made, fiber-based, acid-free watercolor paper specially produced in Germany by Hahnemhle Fine Art. This process ensures that each image is faithfully created to the original intent of Edward S. Curtis. Also available as an accessories box for $74.95.
Price: 599.00
View on the Harlem River, New York With the High Bridge in the Distance, 1852. Artist: Frances (Fanny) Flora Bond Palmer (1812-1875). This view of the Harlem River features the 1813 Macombs Bridge (in use until 1858) and Toll House, with the High Bridge in the background. Located on the Manhattan side of the 145th Street Bridge, this area today is covered with businesses and apartment buildings, and a modern Macombs Dam Bridge is located nearby. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored lithograph, 14.5 x 20; printed and published by Currier & Ives. (Negative No. 76360) 2005 New-York Historic Society
Price: 295.00
Broadway, North from Cortlandt and Maiden Lane, circa 1885-1887 Most likely created to advertise the commercial possibilities of the district, this print is particularly interesting in its depiction of telegraph and telephone wires enveloping the neighborhood. Telephone exchanges began servicing Lower Manhattan in 1878 and were followed by the first transmission of electricity in 1882. Zoning laws were eventually written that required placing hazardous wires underground. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color photo-lithograph, 25.5 x 31.5; published by James J. Fogerty. (Negative No. 2946) New-York Historical Society
Price: 295.00
Broadway, North from Cortlandt and Maiden Lane, circa 1885-1887 Most likely created to advertise the commercial possibilities of the district, this print is particularly interesting in its depiction of telegraph and telephone wires enveloping the neighborhood. Telephone exchanges began servicing Lower Manhattan in 1878 and were followed by the first transmission of electricity in 1882. Zoning laws were eventually written that required placing hazardous wires underground. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color photo-lithograph, 25.5 x 31.5; published by James J. Fogerty. (Negative No. 2946) New-York Historical Society
Price: 645.00
Broadway, North from Cortlandt and Maiden Lane, circa 1885-1887 Most likely created to advertise the commercial possibilities of the district, this print is particularly interesting in its depiction of telegraph and telephone wires enveloping the neighborhood. Telephone exchanges began servicing Lower Manhattan in 1878 and were followed by the first transmission of electricity in 1882. Zoning laws were eventually written that required placing hazardous wires underground. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color photo-lithograph, 25.5 x 31.5; published by James J. Fogerty. (Negative No. 2946) New-York Historical Society
Price: 645.00
Broadway, North from Cortlandt and Maiden Lane, circa 1885-1887 Most likely created to advertise the commercial possibilities of the district, this print is particularly interesting in its depiction of telegraph and telephone wires enveloping the neighborhood. Telephone exchanges began servicing Lower Manhattan in 1878 and were followed by the first transmission of electricity in 1882. Zoning laws were eventually written that required placing hazardous wires underground. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color photo-lithograph, 25.5 x 31.5; published by James J. Fogerty. (Negative No. 2946) New-York Historical Society
Price: 149.00
Broadway, North from Cortlandt and Maiden Lane, circa 1885-1887 Most likely created to advertise the commercial possibilities of the district, this print is particularly interesting in its depiction of telegraph and telephone wires enveloping the neighborhood. Telephone exchanges began servicing Lower Manhattan in 1878 and were followed by the first transmission of electricity in 1882. Zoning laws were eventually written that required placing hazardous wires underground. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color photo-lithograph, 25.5 x 31.5; published by James J. Fogerty. (Negative No. 2946) New-York Historical Society
Price: 329.00
Broadway, North from Cortlandt and Maiden Lane, circa 1885-1887 Most likely created to advertise the commercial possibilities of the district, this print is particularly interesting in its depiction of telegraph and telephone wires enveloping the neighborhood. Telephone exchanges began servicing Lower Manhattan in 1878 and were followed by the first transmission of electricity in 1882. Zoning laws were eventually written that required placing hazardous wires underground. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color photo-lithograph, 25.5 x 31.5; published by James J. Fogerty. (Negative No. 2946) New-York Historical Society
Price: 329.00
A View of Fort George With the City of New York From the Southwest, circa 1764. Artist: John Carwitham (active 1723-1741) after William Burgis (active in American colonies 1716-after 1731). The Carwitham View of New York is one of the most important early views of the city from the Hudson River. Prominent buildings include, from left, Trinity Church, the Lutheran Church, the New Dutch Church, the French Eglise du Saint Esprit, City Hall, the Old Dutch Church, the Secretary's Office and the church in the fort. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. Original is a hand-colored engraving, 11.1875 x 17.875, printed for Carington Bowles Map & Printseller. (Negative No. 4439) 2005 New-York Historical Society
Price: 295.00
A View of Fort George With the City of New York From the Southwest, circa 1764. Artist: John Carwitham (active 1723-1741) after William Burgis (active in American colonies 1716-after 1731). The Carwitham View of New York is one of the most important early views of the city from the Hudson River. Prominent buildings include, from left, Trinity Church, the Lutheran Church, the New Dutch Church, the French Eglise du Saint Esprit, City Hall, the Old Dutch Church, the Secretary's Office and the church in the fort. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. Original is a hand-colored engraving, 11.1875 x 17.875, printed for Carington Bowles Map & Printseller. (Negative No. 4439) 2005 New-York Historical Society
Price: 645.00
A View of Fort George With the City of New York From the Southwest, circa 1764. Artist: John Carwitham (active 1723-1741) after William Burgis (active in American colonies 1716-after 1731). The Carwitham View of New York is one of the most important early views of the city from the Hudson River. Prominent buildings include, from left, Trinity Church, the Lutheran Church, the New Dutch Church, the French Eglise du Saint Esprit, City Hall, the Old Dutch Church, the Secretary's Office and the church in the fort. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. Original is a hand-colored engraving, 11.1875 x 17.875, printed for Carington Bowles Map & Printseller. (Negative No. 4439) 2005 New-York Historical Society
Price: 645.00
A View of Fort George With the City of New York From the Southwest, circa 1764. Artist: John Carwitham (active 1723-1741) after William Burgis (active in American colonies 1716-after 1731). The Carwitham View of New York is one of the most important early views of the city from the Hudson River. Prominent buildings include, from left, Trinity Church, the Lutheran Church, the New Dutch Church, the French Eglise du Saint Esprit, City Hall, the Old Dutch Church, the Secretary's Office and the church in the fort. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. Original is a hand-colored engraving, 11.1875 x 17.875, printed for Carington Bowles Map & Printseller. (Negative No. 4439) 2005 New-York Historical Society
Price: 149.00
A View of Fort George With the City of New York From the Southwest, circa 1764. Artist: John Carwitham (active 1723-1741) after William Burgis (active in American colonies 1716-after 1731). The Carwitham View of New York is one of the most important early views of the city from the Hudson River. Prominent buildings include, from left, Trinity Church, the Lutheran Church, the New Dutch Church, the French Eglise du Saint Esprit, City Hall, the Old Dutch Church, the Secretary's Office and the church in the fort. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. Original is a hand-colored engraving, 11.1875 x 17.875, printed for Carington Bowles Map & Printseller. (Negative No. 4439) 2005 New-York Historical Society
Price: 329.00
A View of Fort George With the City of New York From the Southwest, circa 1764. Artist: John Carwitham (active 1723-1741) after William Burgis (active in American colonies 1716-after 1731). The Carwitham View of New York is one of the most important early views of the city from the Hudson River. Prominent buildings include, from left, Trinity Church, the Lutheran Church, the New Dutch Church, the French Eglise du Saint Esprit, City Hall, the Old Dutch Church, the Secretary's Office and the church in the fort. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. Original is a hand-colored engraving, 11.1875 x 17.875, printed for Carington Bowles Map & Printseller. (Negative No. 4439) 2005 New-York Historical Society
Price: 329.00
Artist: Tavik Frantisek Simon (1877-1942). This lyrical view of the city skyline at twilight, one of about seven prints made after his 1927 visit to New York, is considered one of Simon's best works. The Woolworth Building towers in the distance over the picturesque urban panorama of Lower Manhattan and the Brooklyn Bridge. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color soft ground etching and aquatint, 14 x 16.375. (Negative No. 76382) New-York Historical Society
Price: 295.00
Artist: Tavik Frantisek Simon (1877-1942). This lyrical view of the city skyline at twilight, one of about seven prints made after his 1927 visit to New York, is considered one of Simon's best works. The Woolworth Building towers in the distance over the picturesque urban panorama of Lower Manhattan and the Brooklyn Bridge. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color soft ground etching and aquatint, 14 x 16.375. (Negative No. 76382) New-York Historical Society
Price: 645.00
Artist: Tavik Frantisek Simon (1877-1942). This lyrical view of the city skyline at twilight, one of about seven prints made after his 1927 visit to New York, is considered one of Simon's best works. The Woolworth Building towers in the distance over the picturesque urban panorama of Lower Manhattan and the Brooklyn Bridge. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color soft ground etching and aquatint, 14 x 16.375. (Negative No. 76382) New-York Historical Society
Price: 645.00
Artist: Tavik Frantisek Simon (1877-1942). This lyrical view of the city skyline at twilight, one of about seven prints made after his 1927 visit to New York, is considered one of Simon's best works. The Woolworth Building towers in the distance over the picturesque urban panorama of Lower Manhattan and the Brooklyn Bridge. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color soft ground etching and aquatint, 14 x 16.375. (Negative No. 76382) New-York Historical Society
Price: 149.00
Artist: Tavik Frantisek Simon (1877-1942). This lyrical view of the city skyline at twilight, one of about seven prints made after his 1927 visit to New York, is considered one of Simon's best works. The Woolworth Building towers in the distance over the picturesque urban panorama of Lower Manhattan and the Brooklyn Bridge. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color soft ground etching and aquatint, 14 x 16.375. (Negative No. 76382) New-York Historical Society
Price: 329.00
