Artist: Tavik Frantisek Simon (1877-1942). This lyrical view of the city skyline at twilight, one of about seven prints made after his 1927 visit to New York, is considered one of Simon's best works. The Woolworth Building towers in the distance over the picturesque urban panorama of Lower Manhattan and the Brooklyn Bridge. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color soft ground etching and aquatint, 14 x 16.375. (Negative No. 76382) New-York Historical Society
Price: 329.00
View on the Harlem River, New York With the High Bridge in the Distance, 1852. Artist: Frances (Fanny) Flora Bond Palmer (1812-1875). This view of the Harlem River features the 1813 Macombs Bridge (in use until 1858) and Toll House, with the High Bridge in the background. Located on the Manhattan side of the 145th Street Bridge, this area today is covered with businesses and apartment buildings, and a modern Macombs Dam Bridge is located nearby. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored lithograph, 14.5 x 20; printed and published by Currier & Ives. (Negative No. 76360) 2005 New-York Historic Society
Price: 645.00
View on the Harlem River, New York With the High Bridge in the Distance, 1852. Artist: Frances (Fanny) Flora Bond Palmer (1812-1875). This view of the Harlem River features the 1813 Macombs Bridge (in use until 1858) and Toll House, with the High Bridge in the background. Located on the Manhattan side of the 145th Street Bridge, this area today is covered with businesses and apartment buildings, and a modern Macombs Dam Bridge is located nearby. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored lithograph, 14.5 x 20; printed and published by Currier & Ives. (Negative No. 76360) 2005 New-York Historic Society
Price: 645.00
View on the Harlem River, New York With the High Bridge in the Distance, 1852. Artist: Frances (Fanny) Flora Bond Palmer (1812-1875). This view of the Harlem River features the 1813 Macombs Bridge (in use until 1858) and Toll House, with the High Bridge in the background. Located on the Manhattan side of the 145th Street Bridge, this area today is covered with businesses and apartment buildings, and a modern Macombs Dam Bridge is located nearby. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored lithograph, 14.5 x 20; printed and published by Currier & Ives. (Negative No. 76360) 2005 New-York Historic Society
Price: 149.00
View on the Harlem River, New York With the High Bridge in the Distance, 1852. Artist: Frances (Fanny) Flora Bond Palmer (1812-1875). This view of the Harlem River features the 1813 Macombs Bridge (in use until 1858) and Toll House, with the High Bridge in the background. Located on the Manhattan side of the 145th Street Bridge, this area today is covered with businesses and apartment buildings, and a modern Macombs Dam Bridge is located nearby. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored lithograph, 14.5 x 20; printed and published by Currier & Ives. (Negative No. 76360) 2005 New-York Historic Society
Price: 329.00
View on the Harlem River, New York With the High Bridge in the Distance, 1852. Artist: Frances (Fanny) Flora Bond Palmer (1812-1875). This view of the Harlem River features the 1813 Macombs Bridge (in use until 1858) and Toll House, with the High Bridge in the background. Located on the Manhattan side of the 145th Street Bridge, this area today is covered with businesses and apartment buildings, and a modern Macombs Dam Bridge is located nearby. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored lithograph, 14.5 x 20; printed and published by Currier & Ives. (Negative No. 76360) 2005 New-York Historic Society
Price: 329.00
Artist: William James Bennett (1787-1844) after John William Hill (1812-1879). An exceptional record of New York one year after the Great Fire, this panorama reveals Brooklyn rooftops, the East River crowded with boats, the Manhattan skyline, the Hudson River, and New Jersey in the distance. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper, capturing the brilliant colors of the original paintings. The image is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored etching and aquatint, 19.75 x 34.625, published by Lewis P. Clover, New York. (Negative No. (74719) 2005 New-York Historical Society
Price: 295.00
Artist: William James Bennett (1787-1844) after John William Hill (1812-1879). An exceptional record of New York one year after the Great Fire, this panorama reveals Brooklyn rooftops, the East River crowded with boats, the Manhattan skyline, the Hudson River, and New Jersey in the distance. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper, capturing the brilliant colors of the original paintings. The image is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored etching and aquatint, 19.75 x 34.625, published by Lewis P. Clover, New York. (Negative No. (74719) 2005 New-York Historical Society
Price: 645.00
Artist: William James Bennett (1787-1844) after John William Hill (1812-1879). An exceptional record of New York one year after the Great Fire, this panorama reveals Brooklyn rooftops, the East River crowded with boats, the Manhattan skyline, the Hudson River, and New Jersey in the distance. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper, capturing the brilliant colors of the original paintings. The image is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored etching and aquatint, 19.75 x 34.625, published by Lewis P. Clover, New York. (Negative No. (74719) 2005 New-York Historical Society
Price: 645.00
Artist: William James Bennett (1787-1844) after John William Hill (1812-1879). An exceptional record of New York one year after the Great Fire, this panorama reveals Brooklyn rooftops, the East River crowded with boats, the Manhattan skyline, the Hudson River, and New Jersey in the distance. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper, capturing the brilliant colors of the original paintings. The image is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored etching and aquatint, 19.75 x 34.625, published by Lewis P. Clover, New York. (Negative No. (74719) 2005 New-York Historical Society
Price: 149.00
Artist: William James Bennett (1787-1844) after John William Hill (1812-1879). An exceptional record of New York one year after the Great Fire, this panorama reveals Brooklyn rooftops, the East River crowded with boats, the Manhattan skyline, the Hudson River, and New Jersey in the distance. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper, capturing the brilliant colors of the original paintings. The image is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored etching and aquatint, 19.75 x 34.625, published by Lewis P. Clover, New York. (Negative No. (74719) 2005 New-York Historical Society
Price: 329.00
Artist: William James Bennett (1787-1844) after John William Hill (1812-1879). An exceptional record of New York one year after the Great Fire, this panorama reveals Brooklyn rooftops, the East River crowded with boats, the Manhattan skyline, the Hudson River, and New Jersey in the distance. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper, capturing the brilliant colors of the original paintings. The image is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a hand-colored etching and aquatint, 19.75 x 34.625, published by Lewis P. Clover, New York. (Negative No. (74719) 2005 New-York Historical Society
Price: 329.00
Bird's Eye View of the Great New York and Brooklyn Bridge and Grand Display of Fireworks on Opening Night, 1883. Artist unknown. The cities of New York and Brooklyn hosted grand festivities on May 24, 1883, to celebrate the grand opening of the world's longest steel suspension bridge (just over 5,900 feet) that linked the two municipalities. The original print was created as a souvenir of the celebration. Key facts about the bridge are listed in its inscription. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph in black, green and red, 15.25 x 24.25; published by A. Major. (Negative No. 76351) 2005 New-York Historical Society
Price: 295.00
Bird's Eye View of the Great New York and Brooklyn Bridge and Grand Display of Fireworks on Opening Night, 1883. Artist unknown. The cities of New York and Brooklyn hosted grand festivities on May 24, 1883, to celebrate the grand opening of the world's longest steel suspension bridge (just over 5,900 feet) that linked the two municipalities. The original print was created as a souvenir of the celebration. Key facts about the bridge are listed in its inscription. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph in black, green and red, 15.25 x 24.25; published by A. Major. (Negative No. 76351) 2005 New-York Historical Society
Price: 645.00
Bird's Eye View of the Great New York and Brooklyn Bridge and Grand Display of Fireworks on Opening Night, 1883. Artist unknown. The cities of New York and Brooklyn hosted grand festivities on May 24, 1883, to celebrate the grand opening of the world's longest steel suspension bridge (just over 5,900 feet) that linked the two municipalities. The original print was created as a souvenir of the celebration. Key facts about the bridge are listed in its inscription. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph in black, green and red, 15.25 x 24.25; published by A. Major. (Negative No. 76351) 2005 New-York Historical Society
Price: 645.00
Bird's Eye View of the Great New York and Brooklyn Bridge and Grand Display of Fireworks on Opening Night, 1883. Artist unknown. The cities of New York and Brooklyn hosted grand festivities on May 24, 1883, to celebrate the grand opening of the world's longest steel suspension bridge (just over 5,900 feet) that linked the two municipalities. The original print was created as a souvenir of the celebration. Key facts about the bridge are listed in its inscription. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph in black, green and red, 15.25 x 24.25; published by A. Major. (Negative No. 76351) 2005 New-York Historical Society
Price: 149.00
Bird's Eye View of the Great New York and Brooklyn Bridge and Grand Display of Fireworks on Opening Night, 1883. Artist unknown. The cities of New York and Brooklyn hosted grand festivities on May 24, 1883, to celebrate the grand opening of the world's longest steel suspension bridge (just over 5,900 feet) that linked the two municipalities. The original print was created as a souvenir of the celebration. Key facts about the bridge are listed in its inscription. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph in black, green and red, 15.25 x 24.25; published by A. Major. (Negative No. 76351) 2005 New-York Historical Society
Price: 329.00
Bird's Eye View of the Great New York and Brooklyn Bridge and Grand Display of Fireworks on Opening Night, 1883. Artist unknown. The cities of New York and Brooklyn hosted grand festivities on May 24, 1883, to celebrate the grand opening of the world's longest steel suspension bridge (just over 5,900 feet) that linked the two municipalities. The original print was created as a souvenir of the celebration. Key facts about the bridge are listed in its inscription. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph in black, green and red, 15.25 x 24.25; published by A. Major. (Negative No. 76351) 2005 New-York Historical Society
Price: 329.00
Croton Water Reservoir From Views of New York, 1850. Artist: Charles Autenrieth (active 1850) after Augustus Fay (active 1840s-1860). Built between 1839 and 1842, the Croton Water Reservoir stood on Fifth Avenue between 40th and 42nd streets, then the northern fringes of the city, and now the site of the New York Public Library. A public walkway on the rim of the reservoir was a fashionable place to promenade and enjoy views of the city. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with selected hand-coloring, 6.125 x 8.875, printed and published by Henry Hoff. (Negative No. 76326) 2005 New-York Historical Society
Price: 295.00
Croton Water Reservoir From Views of New York, 1850. Artist: Charles Autenrieth (active 1850) after Augustus Fay (active 1840s-1860). Built between 1839 and 1842, the Croton Water Reservoir stood on Fifth Avenue between 40th and 42nd streets, then the northern fringes of the city, and now the site of the New York Public Library. A public walkway on the rim of the reservoir was a fashionable place to promenade and enjoy views of the city. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with selected hand-coloring, 6.125 x 8.875, printed and published by Henry Hoff. (Negative No. 76326) 2005 New-York Historical Society
Price: 645.00
