Croton Water Reservoir From Views of New York, 1850. Artist: Charles Autenrieth (active 1850) after Augustus Fay (active 1840s-1860). Built between 1839 and 1842, the Croton Water Reservoir stood on Fifth Avenue between 40th and 42nd streets, then the northern fringes of the city, and now the site of the New York Public Library. A public walkway on the rim of the reservoir was a fashionable place to promenade and enjoy views of the city. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with selected hand-coloring, 6.125 x 8.875, printed and published by Henry Hoff. (Negative No. 76326) 2005 New-York Historical Society
Price: 645.00
Croton Water Reservoir From Views of New York, 1850. Artist: Charles Autenrieth (active 1850) after Augustus Fay (active 1840s-1860). Built between 1839 and 1842, the Croton Water Reservoir stood on Fifth Avenue between 40th and 42nd streets, then the northern fringes of the city, and now the site of the New York Public Library. A public walkway on the rim of the reservoir was a fashionable place to promenade and enjoy views of the city. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with selected hand-coloring, 6.125 x 8.875, printed and published by Henry Hoff. (Negative No. 76326) 2005 New-York Historical Society
Price: 149.00
Croton Water Reservoir From Views of New York, 1850. Artist: Charles Autenrieth (active 1850) after Augustus Fay (active 1840s-1860). Built between 1839 and 1842, the Croton Water Reservoir stood on Fifth Avenue between 40th and 42nd streets, then the northern fringes of the city, and now the site of the New York Public Library. A public walkway on the rim of the reservoir was a fashionable place to promenade and enjoy views of the city. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with selected hand-coloring, 6.125 x 8.875, printed and published by Henry Hoff. (Negative No. 76326) 2005 New-York Historical Society
Price: 329.00
Croton Water Reservoir From Views of New York, 1850. Artist: Charles Autenrieth (active 1850) after Augustus Fay (active 1840s-1860). Built between 1839 and 1842, the Croton Water Reservoir stood on Fifth Avenue between 40th and 42nd streets, then the northern fringes of the city, and now the site of the New York Public Library. A public walkway on the rim of the reservoir was a fashionable place to promenade and enjoy views of the city. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with selected hand-coloring, 6.125 x 8.875, printed and published by Henry Hoff. (Negative No. 76326) 2005 New-York Historical Society
Price: 329.00
Artist: Thomas Benecke (active in New York 1855-1856). This festive print depicts a snowball fight and a sleigh collision in front of P. T. Barnum's museum at the corner of Broadway and Ann Street. Given the spectators and musicians positioned on the balcony, the bustling scene may have been a staged spectacle. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with hand-coloring, 21.25 x 30.5; printed by Nagel & Lewis, published by Emil Seitz. (Negative No. 76278) 2005 New-York Historical Society
Price: 295.00
Artist: Thomas Benecke (active in New York 1855-1856). This festive print depicts a snowball fight and a sleigh collision in front of P. T. Barnum's museum at the corner of Broadway and Ann Street. Given the spectators and musicians positioned on the balcony, the bustling scene may have been a staged spectacle. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with hand-coloring, 21.25 x 30.5; printed by Nagel & Lewis, published by Emil Seitz. (Negative No. 76278) 2005 New-York Historical Society
Price: 645.00
Artist: Thomas Benecke (active in New York 1855-1856). This festive print depicts a snowball fight and a sleigh collision in front of P. T. Barnum's museum at the corner of Broadway and Ann Street. Given the spectators and musicians positioned on the balcony, the bustling scene may have been a staged spectacle. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with hand-coloring, 21.25 x 30.5; printed by Nagel & Lewis, published by Emil Seitz. (Negative No. 76278) 2005 New-York Historical Society
Price: 645.00
Artist: Thomas Benecke (active in New York 1855-1856). This festive print depicts a snowball fight and a sleigh collision in front of P. T. Barnum's museum at the corner of Broadway and Ann Street. Given the spectators and musicians positioned on the balcony, the bustling scene may have been a staged spectacle. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with hand-coloring, 21.25 x 30.5; printed by Nagel & Lewis, published by Emil Seitz. (Negative No. 76278) 2005 New-York Historical Society
Price: 149.00
Artist: Thomas Benecke (active in New York 1855-1856). This festive print depicts a snowball fight and a sleigh collision in front of P. T. Barnum's museum at the corner of Broadway and Ann Street. Given the spectators and musicians positioned on the balcony, the bustling scene may have been a staged spectacle. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with hand-coloring, 21.25 x 30.5; printed by Nagel & Lewis, published by Emil Seitz. (Negative No. 76278) 2005 New-York Historical Society
Price: 329.00
Artist: Thomas Benecke (active in New York 1855-1856). This festive print depicts a snowball fight and a sleigh collision in front of P. T. Barnum's museum at the corner of Broadway and Ann Street. Given the spectators and musicians positioned on the balcony, the bustling scene may have been a staged spectacle. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph with hand-coloring, 21.25 x 30.5; printed by Nagel & Lewis, published by Emil Seitz. (Negative No. 76278) 2005 New-York Historical Society
Price: 329.00
The Port of New York: Bird's Eye View from the Battery, Looking South, 1878. Artists: Charles R. Parsons (1844-1920) and Lyman W. Atwater (1835-1891). Castle Garden and Battery Park are featured prominently in the foreground of this stunning panorama of New York Harbor. Used as an immigration depot from 1855 to 1900, Castle Garden processed more than 7.5 million people. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 20.75 x 33.0625; published by Currier & Ives. (Negative No. 47838) 2005 New-York Historical Society
Price: 295.00
The Port of New York: Bird's Eye View from the Battery, Looking South, 1878. Artists: Charles R. Parsons (1844-1920) and Lyman W. Atwater (1835-1891). Castle Garden and Battery Park are featured prominently in the foreground of this stunning panorama of New York Harbor. Used as an immigration depot from 1855 to 1900, Castle Garden processed more than 7.5 million people. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 20.75 x 33.0625; published by Currier & Ives. (Negative No. 47838) 2005 New-York Historical Society
Price: 645.00
The Port of New York: Bird's Eye View from the Battery, Looking South, 1878. Artists: Charles R. Parsons (1844-1920) and Lyman W. Atwater (1835-1891). Castle Garden and Battery Park are featured prominently in the foreground of this stunning panorama of New York Harbor. Used as an immigration depot from 1855 to 1900, Castle Garden processed more than 7.5 million people. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 20.75 x 33.0625; published by Currier & Ives. (Negative No. 47838) 2005 New-York Historical Society
Price: 645.00
The Port of New York: Bird's Eye View from the Battery, Looking South, 1878. Artists: Charles R. Parsons (1844-1920) and Lyman W. Atwater (1835-1891). Castle Garden and Battery Park are featured prominently in the foreground of this stunning panorama of New York Harbor. Used as an immigration depot from 1855 to 1900, Castle Garden processed more than 7.5 million people. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 20.75 x 33.0625; published by Currier & Ives. (Negative No. 47838) 2005 New-York Historical Society
Price: 149.00
The Port of New York: Bird's Eye View from the Battery, Looking South, 1878. Artists: Charles R. Parsons (1844-1920) and Lyman W. Atwater (1835-1891). Castle Garden and Battery Park are featured prominently in the foreground of this stunning panorama of New York Harbor. Used as an immigration depot from 1855 to 1900, Castle Garden processed more than 7.5 million people. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 20.75 x 33.0625; published by Currier & Ives. (Negative No. 47838) 2005 New-York Historical Society
Price: 329.00
The Port of New York: Bird's Eye View from the Battery, Looking South, 1878. Artists: Charles R. Parsons (1844-1920) and Lyman W. Atwater (1835-1891). Castle Garden and Battery Park are featured prominently in the foreground of this stunning panorama of New York Harbor. Used as an immigration depot from 1855 to 1900, Castle Garden processed more than 7.5 million people. The New York Times, in collaboration with the New-York Historical Society, offers this work as a fine art print, reproduced with high-density pigmented inks on heavyweight paper. This is one of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 20.75 x 33.0625; published by Currier & Ives. (Negative No. 47838) 2005 New-York Historical Society
Price: 329.00
The Great Bartholdi Statue, Liberty Enlightening the World - The Gift of France to the American People to be Erected on Bedloe's Island, New York Harbor, 1883. Artists: Currier & Ives / Nathaniel Currier (1813-1895) and James Merritt Ives (1824-1895). Currier & Ives published this print in 1883, three years before the completion of Great Bartholdi Statue, now called the Statue of Liberty, in order to capitalize on public interest. Liberty, whose podium was not yet designed, rests on a plain hexagonal base. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 25.625 x 21.25; printed by American Photo-Lithography Co., New York. (Negative No. 76275) 2005 New-York Historical Society
Price: 295.00
The Great Bartholdi Statue, Liberty Enlightening the World - The Gift of France to the American People to be Erected on Bedloe's Island, New York Harbor, 1883. Artists: Currier & Ives / Nathaniel Currier (1813-1895) and James Merritt Ives (1824-1895). Currier & Ives published this print in 1883, three years before the completion of Great Bartholdi Statue, now called the Statue of Liberty, in order to capitalize on public interest. Liberty, whose podium was not yet designed, rests on a plain hexagonal base. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 25.625 x 21.25; printed by American Photo-Lithography Co., New York. (Negative No. 76275) 2005 New-York Historical Society
Price: 645.00
The Great Bartholdi Statue, Liberty Enlightening the World - The Gift of France to the American People to be Erected on Bedloe's Island, New York Harbor, 1883. Artists: Currier & Ives / Nathaniel Currier (1813-1895) and James Merritt Ives (1824-1895). Currier & Ives published this print in 1883, three years before the completion of Great Bartholdi Statue, now called the Statue of Liberty, in order to capitalize on public interest. Liberty, whose podium was not yet designed, rests on a plain hexagonal base. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 25.625 x 21.25; printed by American Photo-Lithography Co., New York. (Negative No. 76275) 2005 New-York Historical Society
Price: 645.00
The Great Bartholdi Statue, Liberty Enlightening the World - The Gift of France to the American People to be Erected on Bedloe's Island, New York Harbor, 1883. Artists: Currier & Ives / Nathaniel Currier (1813-1895) and James Merritt Ives (1824-1895). Currier & Ives published this print in 1883, three years before the completion of Great Bartholdi Statue, now called the Statue of Liberty, in order to capitalize on public interest. Liberty, whose podium was not yet designed, rests on a plain hexagonal base. The New York Times, in collaboration with New-York Historical Society, offers this work as a fine art print, reproduced with high-density inks on heavyweight paper. One of hundreds of Impressions of New York prints amassed by the historical society. Available in two sizes. The original is a color lithograph, 25.625 x 21.25; printed by American Photo-Lithography Co., New York. (Negative No. 76275) 2005 New-York Historical Society
Price: 149.00
